India has one of the finest textile traditions in the world. The
hand-loom industry of India is as old as our civilization itself and boasts of
a lot of living traditions to this day. According to historians, hand-loom came
up about 2,000 years ago in England by the Romans. However, Indian hand-woven
fabrics have been known since time immemorial.
The hand-loom forms a precious part of our generational legacy and shows
the richness and diversity of our country and the artistry of our weavers. Weaving by hand is a part of the country’s
cultural ethos. The hand-loom sector has a unique place in our economy. It has
sustained due to transferring skills from one generation to another. The strength
of the sector lies in its uniqueness, flexibility of production, openness to
innovations, adaptability to supplier’s requirements and the wealth of its
tradition.
While hand-loom is an important craft product and make up for one of the
largest cottage industries of the country with millions of looms weaving
cotton, silk and other natural fibers, it needs a constant growing market to
live long. There is hardly any place within the country where weavers do not
exist, each weaving out the traditional beauty of India's precious heritage.
From Kashmir in the North to Kanyakumari in the South and from Gujarat in the
West to Assam in the East each region has a distinctive style, design and art
pattern and craftsmanship so perfect that even best of the machines cannot
compete. While the products adored the question whether the hand-loom sector is
really thriving and expanding is important.
According to the government statistics hand-loom weaving is one of the
largest economic activities in our country after agriculture, providing direct
and indirect employment to more than 43 lakh weavers and allied workers. The
sector contributes to nearly 15% of the cloth production and contributes to the
country’s export earnings. Around 95% of the world’s hand woven fabric comes
from India. Against all these figures why the hand-loom sector especially in
the hills and far-flung areas of the country jostling to survive existence in
today’s mechanized world is a question that need an answer.
For the benefit of many new age children of today, a 'hand-loom' is a
loom used to weave cloth without the use of any electricity. Hand weaving done
on pit looms (a device used to weave cloth and tapestry) or frame looms (a
frame that warp the yarn directly on it for weaving) generally in weavers'
homes. Weaving is primarily the interlacing of two sets of yarn – the warp
(length) and the weft (width). The weavers who weave on the hand-loom are also
called “Julaha”. The term Julaha derived from the Persian julah (ball of
thread). Other explanation put forth by Julaha themselves includes "jal
(net), jils (decorated) or uila (lighted up, or white)". The hand-loom is
also synonym to Sant Kabir the 15th century Indian mystic poet, saint and a
weaver by occupation.
While on a cursory visit to a large hand-loom fair in Dehradun a couple
of months back I came across a very unique exhibition booth which had no
visitors in a fair thronged by people. I feel the lack of simplicity it
portrayed kept people at bay. As a stray visitor to the booth the staff on duty
all mid-aged, in their traditional Uttarakhandi hilly attire approached me with
a smile breaking the monotony of sitting their ideal. Knowing that I write, a
glen of hope emerged in their eyes as if wanting the many issues grappling the hand-loom
sector reach wider section of people.
The point that comes to mind is when we can’t encourage by even simply
visiting (that involves no cost) such exhibition booths who have success
stories to share working against odds to simply garner support and
encouragement of the people how can we give them a market for a brighter
future. Government alone cannot do it!
My curiosity was greater than the men there to tell me what the big
wooden hand-loom unit installed at the center of the spacious booth meant.
Undoubtedly, the exhibition booth was an effort to offer a live demo to the
visitors of how the hand-loom unit works and the tedious labour that goes in to
make a piece by the hill craftsmen. It even showcased the work of the many hill
region hand-loom clusters through photographs, literature that have worked
under the aegis of the textile ministry of the government. All this was to appraise
the people and specially the youngsters about the field of weaving, designing
and processing by hand which is beyond compare.
Informing me, a humble and “feeble” voice of an old man, who may have
dedicated his entire life for the cause of hand looms, stated with great “enthusiasm”
how through such hand-loom units as installed at the exhibition booth craftsmen
have over the ages made immaculate pieces of textile.
The point I am trying to make here is an emphasis on the words “feeble”
and “enthusiasm” that I have just mentioned. While the hand-loom sector in the
hills and far-flung areas of the country is in a "feeble" state of
affairs for lack of support and patronization by the people at large, the
silver lining of hope stated through the word "enthusiasm" as
reflected by the man at the exhibition booth is the unflinching support by the
government at the highest level to make this handicraft sector grow and reach
out to all in bigger numbers if not equal to what the mechanized textile offer
through large production.
Today, unfortunately hand-loom is confining to as an art lover’s choice
than by the masses. The growth can only come if the people at large come
forward to buy more hand-loom woven textiles to those of machine least this art
form will slowly become extinct as newer artisans will refrain to take up this
profession for lack of market even though the government may support it.
Interesting was the fact the man at the exhibition booth shared about
the Weavers’ Service Centre of Chamoli where he came from. The Centre set up
the government over three decades back caters to the needs of the hand-loom
weavers and clusters in and around Uttarakhand and adjoining States in their
pre-loom (The yarn either unbleached "kora" or dyed using natural
dyes is wound on bobbins of two different sizes), no-loom (A hand-operated
wooden frame loom used to weave the warp) and post looms (The post loom
processes vary depending on the intended garment or finished product like
stitching, block printing, Embroidery, Tie-dyeing, Shrinking and Ironing)
processes.
Besides the many activities he narrated, the one related to the facility
extended by the Centre to train new weavers stands out. It reflects still
youngsters and women folk in the hills who are banking on hand-loom for living.
Its time this spirit not be diluted. Hand looms while it provides an alternate
income for families who can work from their homes also help in controlling the
issue of migration from far-flung villages in the hills. “The Centre assists
the hand-loom sector in upgrading-skill, development/diversification of
hand-loom products, technical advice etc.”, he informed me.
To upgrade the skills of hand-loom weavers/workers in the field of
design development/ weaving/dying under on-going in-house short-term training
programmes by the Centre appeared good to ears. I only hope all these keep
implementing and benefit reaching those it is for.
While the government since independence has implemented various policies
to help the hand-loom sector to give a further fillip to it, India since the
past three years has formally declared August 7 every year as the National
Hand-loom Day to mark this day in memory of the Swadeshi Movement launched on
August 7, 1905. The movement involved revival of domestic products and
production processes. The day also rededicates the government’s ongoing
commitment to make the hand-loom sector survive and thrive. Its time new
catalysts spur it up. The only catalyst is you and me coming forward to offer a
bigger market to the hand-loom products.
Hand looms, just like Khadi acts as a tool for social change by breaking
the caste barriers, by bringing people from different backgrounds on the same
platform and giving them a dignified way of life.
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